【雅與物哀】 福元弘信 | 白薩摩燒展

16世紀末，豐臣秀吉出兵朝鮮，擄回大批朝鮮陶工，其中薩摩藩主島津義弘帶回的部分，被安置於薩摩藩（今鹿兒島）從事陶器燒造。   這批陶工帶來先進的陶藝技術，結合當地特有陶土與日本美意識，燒製出薩摩燒，後來發現稀有的白色陶土，從而開創全新的陶器品類--白薩摩。 在日本文化意象中，白色代表著純潔、神聖與高雅，而其中，「白薩摩燒」以象牙白釉色、細緻開片裂紋與精美造型脫穎而出，成為日本貴族、藩主及後世上流社會珍視的高貴藝術，被視為身份與品味的象徵，至明治維新時，華美工藝更揚名國際、在巴黎世博會上驚艷歐美，成為日本藝術與文化的代表之一。

白薩摩燒不僅是器物，更是一段跨越時代的詩篇，凝結著土地的滋養、文化的積澱與匠人的執著，在溫潤如玉的陶坯與華貴燦麗的繪色之間，成就永恆動人的藝術印記。

  The Origins and Cultural Significance of White Satsuma Ware In the late 16th century, during Toyotomi Hideyoshi’s campaigns in Korea, Shimazu Yoshihiro, lord of Satsuma, brought Korean potters back to Satsuma (now Kagoshima) after the war. These artisans introduced advanced ceramic techniques, which, combined with the region’s unique white clay and the spirit of Japanese craftsmanship, gave rise to a new tradition—white Satsuma ware. In Japanese culture, white symbolizes purity, sanctity, and nobility. White Satsuma ware, with its lustrous glaze, delicate crackle patterns, and refined forms, soon became a cherished art among nobles, feudal lords, and the upper classes—a true symbol of status and taste. By the time of the Meiji Restoration, its exquisite artistry had won international acclaim, captivating audiences at the Paris Exposition and establishing itself as an emblem of Japanese art and culture.

一生懸命  福元弘信的藝術之路與當代地位

福元弘信，日本白薩摩陶藝界的現代巨擘，擁有三十餘年純手工製作白薩摩的深厚經驗。2008年創立「仁王山窯」，以傳承薩摩燒傳統、兼融創新美學為職志。秉持嚴謹工藝精神，長年淬煉獨到技法，作品展現出薩摩燒典雅華麗的極致品質，並以其精湛技藝和獨特風格，深受日本及國際陶藝界推崇。

鏤空雕刻被譽為薩摩燒中最難掌握的裝飾形式之一，必須在坯體成形後、陶土尚含水分的短暫時機，以純手工削切雕琢，每一道線條、每一處細節都考驗大師對器形粗細平衡與圖案構成的極致把握，稍有不慎，於高溫燒製過程中便可能前功盡棄。 由於工藝極為繁複，成功率低，能夠全手工完成鏤空雕刻的陶藝家，在日本已屈指可數，而福元弘信正是當代僅存的兩位純手工鏤空雕刻大師之一。

福元大師創作多以觀賞用高級陶瓷藝術品為主，體現官窯製品的厚重典雅與豪華品質，並不遺餘力推廣白薩摩美學，他以「美」「技」「愛」為創作與教學宗旨，視傳承與創新並重，將薩摩燒的傳統精神與現代藝術視野完美融合；其作品不僅是匠心獨運的藝術精品，更是當代白薩摩走向國際、持續發光的重要推手，堪稱這一世代最具指標性的白薩摩陶藝巨匠。

The Artistic Achievements and Contemporary Status of Fukuhara Hironobu Fukuhara Hironobu is a modern luminary in the world of Japanese white Satsuma ceramics, with over thirty years of profound experience in pure handcraft. In 2008, he established the Niozan Kiln, dedicating himself to preserving the traditions of Satsuma ware while skillfully integrating innovative aesthetics. Upholding a rigorous spirit of craftsmanship and continually refining his unique techniques, Fukuhara’s works epitomize the elegant and magnificent qualities of Satsuma ware. His superb skills and distinctive style have earned him high acclaim both in Japan and in the international ceramics community. Fukuhara is especially renowned for his mastery of openwork carving and relief techniques. Openwork carving is regarded as one of the most difficult decorative methods in Satsuma ware, requiring the artist to hand-carve the clay during the brief window after wheel-throwing while it still retains moisture. Every line and detail demands the utmost precision in balancing the form and composition; even the slightest misstep may result in failure during the high-temperature firing process. Due to the complexity of this technique and its low success rate, artisans capable of executing fully hand-carved openwork pieces are now exceedingly rare in Japan. Fukuhara Hironobu is, in fact, one of only two contemporary masters who can accomplish such intricate handwork. Most of Master Fukuhara’s creations are high-end ceramic art pieces intended for appreciation, embodying the dignified elegance and opulence of imperial kiln wares. His works are not only masterpieces of exquisite craftsmanship, but also play a vital role in promoting and advancing contemporary white Satsuma on the international stage, making him one of the most iconic masters of his generation.

白薩摩的稀有性與收藏價值

獨特卓絕二工藝絕品 白薩摩以稀有白陶土製成，經純化、燒製到釉下裂紋的生成，每一件作品都獨一無二；低產量與高度精緻手工，使其在藝術品市場上具有極高辨識度與孤品價值，國際藏家因其「不可複製」的特質而趨之若鶩。

Crafted from rare white clay and refined through meticulous purification and firing, each piece of white Satsuma ware is truly one of a kind. Its low production volume and exquisite handcrafting grant it exceptional distinction and rarity in the art market, making it highly coveted by international collectors for its unrepeatable character.

百年經典文化表徵

自藩主、皇室珍藏以來，白薩摩見證日本美學流傳至歐洲，成為國際藝壇與頂尖藏家的心頭好。每件作品兼具歷史與美學意義，市場拍賣紀錄屢創高峰，文化含金量極高。

Once treasured by feudal lords and the Imperial family, white Satsuma ware has carried Japanese aesthetics to Europe and beyond, becoming a favorite among connoisseurs and collectors worldwide. Each piece embodies both historical significance and artistic excellence, with auction records reflecting its enduring cultural value.

收藏新寵增值潛力

在全球藝術品市場，白薩摩數量有限、來歷清楚，具備良好保值與增值潛力。現代名家如福元弘信作品，結合傳統與創新，為藏家帶來長遠的藝術與投資雙重價值。 With its limited supply and well-documented provenance, white Satsuma ware offers remarkable potential for appreciation and preservation of value. Works by contemporary masters such as Fukuhara Hironobu blend tradition and innovation, delivering lasting artistic and investment rewards for discerning collectors.